In "No Line on the Horizon," it is the combination of garage-organ drone, fat guitar distortion and Mullen's parade-ground drumming, the last so sharp and hard all the way through that it's difficult to tell how much is him and how much is looping (that is a compliment). The Edge takes one of his few extended guitar solos at the end of "Unknown Caller," a straightforward, elegiac break with a worn, notched edge to his treble tone. "White as Snow" is mostly alpine quiet — guitar, keyboard, Bono and harmonies, like the Doors' "The Crystal Ship" crossed with an Appalachian ballad. "Cedars of Lebanon" ends the album much as "The Wanderer" did on Zooropa, a triumph of bare minimums (this time it's Bono going in circles, through wreckage, instead of Johnny Cash, who sang "The Wanderer") with limpid guitar and electronics suggesting a Jimi Hendrix love song, had he lived into the digital age.
Sample from this album,Breathe:
Flica:I tot this is Stairway of Heaven becoz he seems like "rapping" with low tone voice there.haha(joke dude)
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